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"I don't know myself. I wandered in a desultory fashion through the wood on leaving you, not caring to return home just then, and I was thinking of—of you, of course—when I stumbled against something (they tell me it was a gnarled root that had thrust itself above ground), and then there was a report, and a sharp pang; and that was all. I remember nothing. The gamekeeper found me a few minutes later, and had me brought here." "I have read so few," she says, wistfully, and with hesitation. Then, shyly, "I have so few to read. I have a Longfellow, and a Shakspeare, and a Byron: that is all." "Ah, how you flatter!" says Mona. Nevertheless, being a woman, and the flattery being directed to herself, she takes it kindly..
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"Yet the Princess D—— always calls her train a 'tail,'" says Violet, turning on her piano-stool to make this remark, which is balm to Mona's soul: after which she once more concentrates her thoughts on the instrument before her, and plays some odd old-fashioned air that suits well the dance of which they have been speaking. "Besides, I do not understand what you mean," says Geoffrey, still regarding his mother with angry eyes "Why connect Mona's absence with Paul Rodney?" "To Bantry," says Mona, growing white again,—"to-night! Oh, do you want to kill me and yourself?" "Is truth insolence?" asks Rodney. "If so, I demand your pardon. My speech, no doubt, was a betise, yet it came from my heart.".
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